A young woman, who has almost given up hope of finding love, runs into someone in a cramped elevator. Someone who revives all her longings. The only problem is that she doesn't know he is or what he looks like.

Sometimes a chance meeting in a bathroom is all it takes. Two women are forever changed when they decide to take a road trip together from Portugal to Spain, where what begins as an otherworldly escapade quickly reveals secrets and truths that will shake them to the core.

After discovering that her husband is involved with drug trafficking, and she decides to cooperate with the DEA, Lidia is forced to move to Spain with her teenage daughter, fleeing her tragic past to start a new life. Two years later, in Spain, Lidia's life enters chaos once more when someone is sent to kill her and her daughter is kidnapped.

Separated from her mother by smugglers at the border, a determined 12-year-old sets out across a desert with only a plastic sack for protection from the cold, survives starvation on the streets of Ciudad Juarez, and escapes kidnappers to find her mother and a place where they can be safe again.

這段影片試圖通過靜態與動態影像的組合呈現碎片化的城鎮記憶。這些記憶是非連續的片段，並且被去除了原有的地理上的、時間上的和文化上的語境。它們在不斷變化的過程中塑造了我們對周圍生活環境的認知，但卻無法將我們與真實的記憶聯繫起來。最終在它們的影響下，我們將徘徊在現實與虛幻、過去與現在、地方與非地方之間的碎片中。 　　This experimental film was originally a video installation. It showcases fragments of urban recollections that one fails to place. These fragments are discrete, out-of-context and removed from geographical, chronological, and cultural frameworks. The still and motion images function in different manners of shaping our impressions to the urban landscape but both fail to connect us to the real memories. Eventually they linger as pieces in between the reality and fantasy, past and present, places and non-places.

這段影片試圖通過靜態與動態影像的組合呈現碎片化的城鎮記憶。這些記憶是非連續的片段，並且被去除了原有的地理上的、時間上的和文化上的語境。它們在不斷變化的過程中塑造了我們對周圍生活環境的認知，但卻無法將我們與真實的記憶聯繫起來。最終在它們的影響下，我們將徘徊在現實與虛幻、過去與現在、地方與非地方之間的碎片中。 　　This experimental film was originally a video installation. It showcases fragments of urban recollections that one fails to place. These fragments are discrete, out-of-context and removed from geographical, chronological, and cultural frameworks. The still and motion images function in different manners of shaping our impressions to the urban landscape but both fail to connect us to the real memories. Eventually they linger as pieces in between the reality and fantasy, past and present, places and non-places.

Three years after his divorce from his model-wife is the psychologist Larry Livingstone ready for a new commitment. He falls in love with the young widow Beth who has two children. But Beth and the children are still in mourning over their dead husband and father and Larry finds it a bit difficult to penetrate their reservations. Larry himself has to deal with his ex-wife and his love for his own two kids. Slowly both Beth and the children realise that they have to go on with their lives and that they have been giving a second chance.

Dr Shivani Dutt living and working in a hospital in London, notices some of her colleagues delving in organ trafficking. Before she can expose them she is involved in an accident, leaving her on a life support machine.

When a 10-year-old boy goes missing, lead investigator Greg Harper struggles to balance the pressure of the investigation and troubles with his wife, Jackie. Facing a recent affair, great strain is put on the family that slowly gnaws away at Jackie's grip on reality. But after a malicious presence manifests itself in their home and puts their son, Connor, in mortal danger, the cold, hard truth about evil in the Harper household is finally uncovered.

Years ago in a small town, the disappearance of several children remains a mystery. When three outcast brothers steal a strange board on Halloween, they unknowingly summon a horde of ghouls and open the door to the nightmare from the past.